Paul Cezanne


Paul Cezanne was a French post-impressionist artist and painter whose work was instrumental in making the transition in the nineteenth century concerning the conceptions held about artistic efforts of the time to a completely new different art world characterized with radical elements during the twentieth century. Paul’s usual repetitive, exploratory strokes of the brush are highly typical and vividly recognizable. He used his color planes and small brushstrokes that together formed multifaceted fields. The paintings sent his intense research about his subjects. In simple terms, he can be defined as the bridge that connected the start of the twentieth century to the late nineteenth century art with the development of a new artistic enquiry known as cubism. Other celebrated artists such as Picasso and Matisse believed that Cezanne was more influential in the world of art and paints than anyone else.

His history

It is no doubt that Cezanne was highly influential during his time in the area of painting and other artistry works. He was born in 1839 and grew to become great inspirations to the generations of contemporary artists until his death in 1906. He was generally classified as a post-impressionist through his new method of creating form using color and his pronounced analytical strategy towards nature that impacted the art that was done by fauvists, cubists and other generations that came up such as the avant-gardes. His started his paint work in 1860 back in his home place, Aix-en-Provence. He later studied in Paris.

Cezanne’s works

Cezanne’s initial images were of classical and romantic themes instilled with dark hue and were created using a communicative brushwork in the convention of Eugene Delacroix. He used dynamic tonal contrasts together with thick layers of color usually applied using a palette knife. These exemplified the potency in which this celebrated artist painted in the 1860s, particularly seen in the series of portraits from his uncle, one Dominique Aubert. Cezanne exhibited three works in 1874. However, they were out of sync with the technique overly used by impressionists characterized with a quick placement of appliques of color on canvas. In the end, be left his somewhat dark palette to go for brilliant pigment tones and started painting outdoors supported through the by Camille Pissarro who was an impressionist painter. He would later come up with a more established tonal scale and style in his paintings and that became his most defining moments in the world of painting artwork.


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